Showing posts with label Cthulhu's Dark Cults. Show all posts
Showing posts with label Cthulhu's Dark Cults. Show all posts

Sunday, 21 August 2011

Best Horror of the Year Volume 3

Reading through the introduction to Ellen Datlow's The Best Horror of the Year Volume 3 recently, I noticed this description on Cthulhu's Dark Cults:

"Cthulhu's Dark Cults: Ten Tales of Dark & Secretive Orders edited by David Conyers (Chaosium) is an impressive anthology of original stories about the various cults that H.P. Lovecraft dreamed up. Most of the stories are true to their source yet bring something new to the material. Notable stories by John Sunseri, David Conyers, Cody Goodfellow and David Witteveen."

I also got a nice comment on my collaboration "Sweet as Decay" whcih appeared in Macabre.

"The most powerful originals are by Gary Kemble, Kyla Ward, Stephen M. Irwin, Kirstyn McDermott, Richard Harland, Susan Warlde, and a collaboration by David Witteveen and David Conyers."

Always nice to get a review like this, particularly from one of the most respected editors in the horror field.

Monday, 14 March 2011

Ellen Datlow’s Honorable Mentions 2010

Every year there several Year’s Best science fiction, fantasy and horror collections are released, and while it is always nice to get a story reprinted in one, the next best thing is to appear on the Recommended Reading list. This year, my first recommended reading appearance is in Ellen Datlow’s Best Horror of the Year Volume 3, with my collaboration with David Witteveen, “Sweet as Decay” which appeared in Macabre.

Also making the list are three stories from my first edited anthology, Cthulhu’s Dark Cults. They are “Perfect Skin” by David Witteveen, “The Eternal Chinaman” by John Sunseri and “The Devil’s Diamonds” by Cody Goodfellow. Cody goes one step further, with one of his stories actually being reprinted in Datlow’s anthology.

Congratulations to everyone who made the list.

Tuesday, 15 February 2011

Wayne J. Harris has just reviewed Cthulhu's Dark Cults online at Albedo One:

If you like horror stories with dark magical gods then this is the series for you. The editor has chosen well. Most of the plots are based on "Tragedy" (see The Seven Basic Plots by Christopher Booker for more details) although there are a few that are based upon “Overcoming the Monster”. All of the plot lines are satisfying. I enjoyed this book thoroughly and recommend it to lovers of fantasy and horror.

His favorite stories were by John Sunseri, Penelope Love, Oscar Rios and Shane Jiraiya Cummings. Cthulhu's Dark Cults can be purchased online at Amazon.com and Amazon.co.uk.

2011 Ditmar Voting Now Open

Ditmar Awards can now be voted for to short-list. The full list of eligible publications is found here. Voting can be conducted online here.
My eligible novellas, short stories and publications for 2011 are:

Best Novella or Novelette
  • "Sister of the Sands", David Conyers, Cthulhu's Dark Cults, Chaosium
  • "Sweet as Decay", David Witteveen and David Conyers, in Macabre: A Journey Through Australia's Darkest Fears, Brimstone Press.
  • "The Uncertainty Bridge", David Conyers, in Jupiter 30.
Best Short Story
  • "Dream Machine", David Conyers, in Scenes from the Second Storey, Morrigan Books.
  • "Emergency Rebuild", David Conyers, in Andromeda Spaceways Inflight Magazine 43.
Best Collected Work

  • Cthulhu's Dark Cults: Ten Tales of Dark & Secretive Orders, David Conyers, Chaosium.
William Atheling Jr Award for Criticism or Review

  • David Conyers, contributing editor and reviewer for Albedo One since 2007, promoting numerous Australian small press publications in Europe and internationally.
If you want to vote for Cthulhu's Dark Cults then these are the categories:

Best Novella or Novelette

  • "Requiem for the Burning God", Shane Jiraiya Cummings, in Cthulhu's Dark Cults, Chaosium.
  • "Sister of the Sands", David Conyers, Cthulhu's Dark Cults, Chaosium
  • "The Whisper of Ancient Secrets", Penelope Love, in Cthulhu's Dark Cults, Chaosium.
Best Short Story

  • "Perfect Skin", David Witteveen, in Cthulhu's Dark Cults, Chaosium.
Best Collected Work

  • Cthulhu's Dark Cults: Ten Tales of Dark & Secretive Orders, David Conyers, Chaosium.
Best New Talent

  • David Witteveen, short story author of "Perfect Skin".
These are editors and publications I have appeared in last year, also eligible:

Best Collected Work

  • Andromeda Spaceways Inflight Magazine, ASIM Collective, Andromeda Spaceways Publishing Co-Operative.
  • Macabre: A Journey Through Australia's Darkest Fears, Angela Challis and Marty Young, Brimstone Press.  
  • Scenes from the Second Storey, Amanda Pillar and Pete Kempshall, Morigan Books.
Best Fan Publication

Best New Talent

  • Pete Kempshall, editor Scenes From the Second Storey.
  • David Kernot, editor of Andromeda Spaceways Inflight Magazine #43

Tuesday, 1 February 2011

Cthulhu's Dark Cults in Preliminary Bram Stoker Award Ballot

Fantastic news, Cthulhu's Dark Cults has just made the preliminary ballot for the 2010 Bram Stoker Awards in Superior Achievement in an Anthology. Not only that, Shane Jiraiya Cumming's "Requiem for the Burning God" included in Cthulhu's Dark Cults made it in the ballot for Superior Achievement in Long Fiction.

Also shortlisted for Superior Achievement in an Anthology is Scenes from the Second Storey edited by Amanda Pillar and Pete Kempshall (Morrigan Books). My openning story "Dream Machine" appeared in that fine collection.

The list of Australian nominations can be found here.

Monday, 24 January 2011

Shane Jirayia Cummings Releases Requiem for the Burning God

Shane Jiraiya Cummings, who wrote the longest novella in Cthulhu's Dark Cults, has recently released that same novella as an e-book.

Evil festers beneath the mountains of Peru, and British Great War ace turned mercenary Captain Max Calder unwittingly stumbles into the thick of it! Confronted by Lovecraftian horrors, the machinations of a world-spanning conglomerate, and a lunatic song that haunts his every step, Calder may pay the ultimate price to save the world from danger. Requiem for the Burning God is a grand pulp adventure inspired by the darkest imaginings of the Cthulhu Mythos.

Purchase this and other Shane Jiraiya Cummings novellas here, at very reasonable prices too, $Us0.99 to $Us2.99.

Wednesday, 5 January 2011

Brian Keene Reviews Cthulhu's Dark Cults

Well the reviews keep coming. Two times Stoker Awarding winning horror author Brian Keene has placed Cthulhu's Dark Cults in his Top 10 read for 2010. He was particularly impressed with John Goodrich's tale:

In this Lovecraft-inspired anthology, editor David Conyers has done a commendable job of compiling a collection of first-rate tales by some lesser-known but certainly capable writers. Indeed, I was so impressed with most of the stories that after finishing the book, I had a list of new authors to Google. All of the tales deal with cults engaged in the worship of Cthulhu and other Lovecraftian deities. The stories run the gamut from literary to pure pulp (and I’m glad for that). While all of the tales are enjoyable, the stand-outs include “The Eternal Chinaman” by John Sunseri, “Perfect Skin” by David Witteveen, “The Devil’s Diamonds” by Cody Goodfellow, and “Captains of Industry” by John Goodrich (indeed, that last one is my favorite short story I’ve read this year). A worthwhile addition to any horror bookshelf.

Saturday, 1 January 2011

HorrorScope Recommended Reading List 2010

Great way to start the new year, with several personal listings on Horrorscope's Recommended Reading List 2010, for both my fiction works and for stories in my edited anthology Cthulhu's Dark Cults, with recommendations for stories by Shane Jirayia Cummings and Penelope Love. The relevant extracts (for me) are as follows:

Anthologies:
  • Cthulhu's Dark Cults, edited by David Conyers (Chaosium)
Novellas/Novelettes:
  • "Requiem for the Burning God" by Shane Jiraiya Cummings (Cthulhu's Dark Cults)
  • "Sweet As Decay" by David Witteveen & David Conyers (Macabre: A Journey through Australia's Darkest Fears)
Short stories:

  • "Dream Machine" by David Conyers (Scenes from the Second Storey)
  • "The Whisper of Ancient Secrets" by Penelope Love (Cthulhu's Dark Cults)
I'm particularly proud that "Dream Machine" got a High Recommendation, with three or more contributors recommending the work). Check out the full list here.

Sunday, 5 December 2010

The 2010 Scorecard

The end of the year approaches and it is time again to reflect on my writing achievements for the last year. I've been doing the same for three years, mostly as a self assessment of how I'm tracking publishing-wise. This year (2010) I can't say I've done much better than the last two years, with on average five short stories being published each year since I started down this track (with serious fiction publications commencing around 2005).

This year my new short stories are:
  • "Emergency Rebuild" in Andromeda Spaceways #43 (Australia)
  • "Sister of the Sands" in Cthulhu's Dark Cults (Chaosium Inc, USA) (an anthology which I incidentally edited)
  • "Dream Machine" in Scenes from the Second Storey (Morrigan Books, Sweden)
  • "Sweet as Decay" with David Witteveen in Macabre: A Journey Through Australia's Fear (Brimstone Press, Australia)
  • "The Uncertainty Bridge" in Jupiter #24 (UK).

I'd say "Dream Machine" is my best piece this year, but I am also particularly proud of Cthulhu's Dark Cults, which has received some very nice reviews, and an accomplishment considering the whole thing was on hold from early 2008. I had some reprints this year including:

  • "Black Water" appearing on the Albedo One Fiction Highlights website, which was also nominated for a Ditmar Award this year, and remains one of my favourites of my own work
  • "The Swelling" appearing in Innsmouth Free Press #3.

I did six reviews for Albedo One issues #38 and #39, more online reviews for the same magazine, was interviewed by Innsmouth Free Press and by Jeff W. Edwards for Shroud Magazine.

For 2011 (or later, depending on how long these things take) I have the following coming out:

  • The Eye of Infinity chapbook published by Perilous Press and edited by Cody Goodfellow, which incidentally is a new Harrison Peel adventure
  • "The Hag of Zais" Lovecraftian fable appearing in Ancient Shadows (Elder Signs Press)
  • "The R'lyeh Singularity" co-written with Brian M. Sammons appearing in Cthulhu Unbound 3 which is also another Harrison Peel tale
  • Another Harrison Peel tale with a publisher I cannot yet disclose
  • "Subtle Invasion" appearing in Best New Tales of the Apocalypse (Permuted Press) (incidentally this is one of my most successful short stories, appearing now in two best of anthologies, being shortlisted for an Australian Shadows Award, and being read on The Writing Show)
  • Midnight Echo 6, edited with Jason Fischer and David Kernot, featuring science fiction horror stories
  • Cthulhu Unbound 3, edited with Brian M. Sammons featuring four Cthulhu Mythos novellas
  • Cthulhu Afrikus, a chapbook from Rainfall Books featuring reprints of "The Faceless Watchers", "As Above, So Below" and "Screaming Crawler"
  • On going reviews for Albedo One.

I had intended to start my space opera novel this year, but frankly that didn't happen, primarly because I just didn't get the head space with changing jobs and states (South Australia to New South Wales), and because I still believe my short fiction needs to kick up a notch before I am ready to tackel a 150,000 word manuscript. So 2011 will be focused on editing Cthulhu Unbound 3, Midnight Echo 6 and getting some science fiction short stories and novellas together, and finishing off the Harrison Peel series with at least one more novella, because I have a very keen publisher interested in the series that began with The Spiraling Worm (Chaoiusm, 2007).

Of course, there are always other projects going on in the background, but I don't like to talk about them in an open forum until something is definite. However, any news I always post here first.

I'd particularly like to thank the following people in the industry for their help this year, including Frank Ludlow, John Kenny and the rest of the team at Albedo One, David Kernot, Cody Goodfellow, Brian M. Sammons, Jacob Kerr, D.L. Snell, Tim Curran, Glyn White, Brian Courtmanche, Shane Jiraya Cummings, Amanda Pillar, Angela Challis, Pete Kempshall, Jason Fischer and everyone at the Australian Horror Writers Association, although this is in no way a complete list of those individuals whose support I have been grateful for this year.

One can only hope, and strive, for the next year to be even better than the last.

Sunday, 17 October 2010

HorrorScope Reviews Cthulhu's Dark Cults

Andrew McKiernan has prepared a wonderful and detailed review of Cthulhu's Dark Cults. Here is a extract where he talks about my story:

"Sister of the Sands" definitely holds its own when it comes to depth of story and an historical background that comes across as sufficiently ancient and disturbingly realistic. When a woman walks out of Egypt's White Desert and into the life of an Australian serviceman, he finds his world turned upside down by an ancient cult known as The Brotherhood of the Black Pharoah who want the mysterious woman all for themselves. Conyers' story is a strong end to the anthology and acts as a great climax."

And a summation of the anthology here:

"The anthology only builds in excitement as it progresses and the final stories are real mind-blowing doozies worthy of the pulp tradition that has made Call of Cthulhu such a popular and long lasting role-playing game."

Monday, 11 October 2010

Six Aussie Horror Anthologies

Shane Jiraiya Cummings has posted his picks for six great Aussie horror anthologies to come out this year, with commentry. It's nice to see that I'm in three of them, including Cthulhu's Dark Cults. They've all got really nice covers too.

Sunday, 15 August 2010

Cthulhu's Dark Cults Reviews Keep Coming: Scary Minds

Scary Minds, a website run by Jeff Ritchie and devoted to reviewing all things Aussie/New Zealand and horrorific (films, books, comics, etc) has just posted a very nice review of Cthulhu's Dark Cults. My favorite bit of the review follows, particularly the last sentence. Thanks Jeff.

The writers in the collection have really captured the true nature of the Cthulhu Mythos and have managed to twist that nature in a new direction. It's quite the achievement and the collection really does become a must have for lovers of the horror genre. I'm calling this the best Mythos collection since Brian Lumley's seminal Titus Crow works.

Jeff's favorite stories were from John Sunseri, David Witteveen, Shane Jiraiya Cummings and my own.

Wednesday, 11 August 2010

Matt Carpenter Amazon.com Review of Cthulhu's Dark Cults

Matthew T. Carpenter has given Cthulhu's Dark Cults a five star review over at Amazon.com. Matt's well known in Cthulhu Mythos circles as the man who reads and reviews everything in the genre. Here is what he said about the book:

On the whole I really enjoyed Cthulhu's Dark Cults and thought it was well worth the money; most of the stories were very good and I did not dislike anything ... While Goodrich, Witteveen, Conyers and Worthy particularly shine, pride of place has to go to The Whisper of Ancient Secrets by Penelope Love. I hope she writes more Cthulhu stories for us soon.

Here is what he said about my story, "Sister of the Sands":

I really like David Conyers; writing. Impossible Object, published in several places, is a brilliant little piece. Sister of the Sands is just great. An Australian intelligence officer based in Cairo assists a woman lost in the desert and becomes mixed up with the Brotherhood of the Black Pharaoh. This was a bang up way to close a successful anthology.

The same review appears at alt.horror.cthulhu. Thanks to Jeff Edwards for the heads up.

Thursday, 5 August 2010

Two New Reviews of Cthulhu's Dark Cults

Two new reviews of Cthulhu's Dark Cults have been posted on HorrorWorld.org and Amazon.co.uk. The first by Brian M. Sammons at HorrorWorld.org who said this about the book:

"Credit for this anthology must first and foremost go to David Conyers who pulls double duty as not only this collection’s editor, but also as an author of one of the best stories in this book. I have come to expect great things from Mr. Conyers as I’ve become increasingly familiar with his work, and with, “Sisters of the Sands” he has once again impressed me greatly."

He also made special mention of Steve Gilbert's cover art and the stories by Oscar Rios, Penelope Love and David Witteveen. David also received special mention on this review on Amazon.co.uk by J.P. Hunt, who had to say about the book:

"This get's a very good 9/10 marks from me. This is definitely one for a HPL fan or someone that just likes dark sci-fi / horror fiction."

Saturday, 10 July 2010

First Review of Cthulhu's Dark Cults

The first review of Cthulhu's Dark Cults has just been published at Innsmouth Free Press by Bryan Thao Worra. Bryan's favorite stories are "Perfect Skin" by David Witteveen, "The Whisper of Ancient Secrets" by Penelope Love, and he said some nice things about my story too, "Sister of the Sands":

"As might be expected, Conyers’ own story, “Sister of the Sands”, neatly encapsulates the cosmic, international grandeur of the subject and provides a fine glimpse of what he was reaching for as he tried to assemble this work. It anchors the anthology solidly."

Read the full review here.

Meanwhile, the anthology has remained in the Top 12 best selling horror anthologies on Amazon.com since it was released.

Friday, 25 June 2010

Introduction to Cthulhu's Dark Cults Online

Chaosium have posted the Introduction to Cthulhu's Dark Cults online on their website, if you wish to know more about this book than you might already. They have also included Author Biographies.

Meanwhile, if you are on the Chaoium site, you should check out Brian M. Sammons' latest and very cool Call of Cthulhu Role-playing Game book, Strange Aeons II.

Friday, 14 May 2010

Cthulhu’s Dark Cults: Cover Art by Steve Gilberts

In my ongoing series of journal entries on how Cthulhu’s Dark Cults came to be, today I am focusing on the cover illustration, which was undertaken by the very talented Steven Gilberts.

Steven has been producing artwork for the small-press industry since 2003 starting with Space & Time Magazine. Since then he has been concocting odd cover and interior illustrations for a diversity of companies including Elder Signs Press, Apex Book Company, Cemetery Dance Publications, Chaosium Inc., and Shroud Publishing. Steve is going from strength-to-strength, and I’m sure it won’t be long before he’s illustrating covers for the bigger publishing houses.

I’m grateful that Steven did the cover illustration, as he captured perfectly the theme and the style of the book.

I’m also privileged in that Steven has illustrated one of my stories, “Solvent Hunger”. I’ve included the illustration here which appeared with my story in the Book of Dark Wisdom #5. The same illustration appeared on my chapbook Cthulhu Australis Part 1, where “Solvent Hunger” was reprinted.

Steven says the following about his illustration for the cover of Cthulhu’s Dark Cults:

“The basic concept for the cover was outlined to me by Dustin Wright [editor at Chaosium]. A group of figures dancing around a statue of Cthulhu in a swamp or woodland setting.

“I opted for the figures to be (tastefully) unclad and possibly attractive. After all, just because you worship a snoozing undead cephalopod creature dreaming deep beneath the Pacific Ocean doesn't necessarily mean you are homely.

“The statue of Cthulhu needed to be lit from underneath to indicate the fire that the cultists are dancing in front of. To be on the safe side I opted for a photo reference to be sure that I would get the shadows and highlights positioned correctly. It was Play-Doh to the rescue as the sculpting medium for the model to be photographed. Following in this vein I suppose I'll need to render an illustration in crayon one of these days.

"On a related note to shooting reference shots of the stature, the dancing figures were based on images from a reference source of models for artists to use. So no, I did not have a group of nudists cavorting around my studio, at least not for this particular assignment.

"I went with bright colours and a starlit night for the background to create a scene of (hopefully) ethereal beauty. As with the figures I reasoned that, though the subject matter is dark, the overall setting could be lovely. Perhaps with good looks and scenic settings the cultists would be apt to collect more members and victims alike.”

Photo of Steven Gilberts © 2009 Michael Morris.

Thursday, 13 May 2010

Cthulhu’s Dark Cults: “Sister of the Sands” by David Conyers

My story rounds off the Cthulhu’s Dark Cults collection, with a tale set in Egypt, a land which for me is at the heart of all things Lovecraftian and Outer Godish. I’d always felt that The Masks of Nyarlathotep supplement for the Call of Cthulhu game was the best supplement ever produced, even if one considers that it came out more than 25 years ago. It’s a global adventure with an excellent back story, and like the Cthulhu Mythos, its central location is Egypt. The cult that features in my story and in Masks of Nyarlathotep is the Brotherhood of the Black Pharaoh, what I considered to be the perfect example of the cults I wanted to portray in this collection.

An extract from my story follows:

SISTER OF THE SANDS
David Conyers

In the many eyes of the Outer Gods, a failure to understand one’s self-capacity for evil is the greatest of all sins. - Sharinza, The Masked Messenger

White Desert, Egypt, 1933

Unfazed the strange woman strolled from the deep desert, the hot winds whipping at her tatters, presenting her as an ominous crow. With a scalp shaved bald, she was covered only in blood and a dirty white wrap loose about her thin figure. Beneath the red ichors reflected a skin that was dry and pale. If her face were not so cold to gaze upon, I would have thought her beautiful.

“Are you hurt?” I asked, as she stood before me, her back arched and head held high. Under normal circumstances, I would have expected a woman in her state to collapse from exhaustion, or to beg for water, but this enigma requested neither. She just stared though and beyond me, into nothingness, as if eternity was all she could fathom. “Do you require assistance?”

Only then did her eyes find mine. Grey and deep, as if the soul they hid stretched to the beginning of time. She opened her mouth to speak, and did so gutturally in a language that I not only failed to understand, but one that I failed to even recognize. Our spooked and tethered camels responded differently, obtusely, by grunting and baulking with terrified agitation.

“You are in shock,” I blurted concerned that she might be babbling from sunstroke. I offered a hand of support. I saw that her shroud was drenched in so much blood I knew it could not all be hers. So I examined her as best I could without compromising modesty, until I was certain she was not wounded. “Here, let me take you to my tent,” I offered. I presumed she must have escaped some terrible ordeal, and probably required a space of her own to feel safe again.

At my words she offered her hand daintily, as if she were the Queen of the Nile and I her undeserving servant. Her bone-cold fingers in my grip, we rushed to my tent, more my urgency than hers. I had a supply of medicines locked away, and a cot for her to lie upon.

“Lieutenant, who is this?” called Karim Ibn-Shadar. The chisel-face man frowned despondently through a tight-lipped grin, for my long-suffering assistant from the War Office often thought me brash and unconventional. Appearing with this strange woman in tow would only add to his concern. “Where did she come from?” His eyes grew wide as he took in the bloodstains. “Praise Allah, what happened to her?”

“I don’t know, but she walked out of the desert, over there.” I pointed, across the salt-colored gypsum outcrops and gravel plains of the White Desert, deceptively likened to a snowfield frozen in time, except these sands were blisteringly hot. Karim and I both understood that there was nothing in that direction for thousands of miles, only the arid heart of the merciless Sahara.

“Is that possible?”

“Well, obviously not impossible.”

“And so much blood.”

Saturday, 8 May 2010

Cthulhu’s Dark Cults: “The Nature of Faith” by Oscar Rios

In my forth profile on the various stories appearing in Cthulhu’s Dark Cults, I’m going to focus on Oscar Rios and his tale “The Nature of Faith”.

Oscar is probably today’s most prolific writer for the Call of Cthulhu role-playing game. He has appeared in several Chaosium monographs including his own Ripples from Carcosa and The Ravenar Saga. He then appeared twice in Miskatonic River Press’ first publication, Tales of the Miskatonic Valley. He was then asked by Miskatonic River Press to join the team as a staff writer and associate editor, and ever since he has been churning out material at a phenomenal speed.

Oscar lives in New York, New Jersey, Connecticut tri-state area. By day he is the assistant manager for a crematory in Astoria, Queens. He is also a happily married husband and father of two.

“The Nature of Faith” is Oscar’s first foray into fiction writing. In his novella he takes us into the haunts of Lovecraft Country and the town of Dunwich. His inspiration was the Keith Herber classic gaming supplement, H.P. Lovecraft’s Dunwich. Oscar has this to say about his contribution:

“I was thrilled with the opportunity to be a part of this collection, but I wanted to explore a different aspect of the traditional mythos story. I wanted to write a love story because who does that? I also wanted to explore one of the most harmless cults in the Cthulhu Mythos, the Believers of Dunwich. Lastly, I wanted to delve into the struggle between modern and ancient, between urban and rural, between scientific discovery and metaphysical balance. The main characters in this story are people firmly grounded in one of these two camps; one a professor of ancient history and the other member of the Believers cult.

“The inspiration for this story came when I was in Catholic grade school. In science class we were learning about evolution and two periods later we learned about creation in our religion class. Our young minds struggled to decide which was right. The title of the story, “The Nature of Faith” is something said by my science teacher at the time while discussing this difficult topic.”
An extract from the story follows:

THE NATURE OF FAITH
Oscar Rios


Dunwich, Massachusetts, United States, 1927

The spring storm swept up the coast, covering all of New England in thick clouds and pouring rain. In the hills of Dunwich this was a good thing. Farmers had smiled as they looked out over their newly planted fields of pumpkin, corn and wheat, reassured that their crops would get a right proper soaking. As the storm raged through the night, some of that smile faded as they moved to lock their doors. Strange things sometimes moved out of the Dunwich Hills on nights like this.

Visible only in the infrequent lightning flashes, a filthy, ragged creature stood motionless in the pouring rain. After a moment, it shook itself off, eyes darting about in confusion. It muttered to itself, then crept out of the wilderness and entered Dunwich Village.

With long white hair matted to its body, claws caked with earth, the creature moved with purpose, stealthy on its bare feet towards the home of Andy and Mildred Tanner. Rattling the back door but finding it locked, it nimbly scaled a nearby tree, climbed across an overhanging branch to a window on the second floor. Effortlessly, it reached out, opened the window and shimmied into the darkened room, closing the window behind it.

Once inside, the creature let out a long sigh, shaking out its soaking wet hair with its hands, and began fumbling for the light switch. Crash! Down came a ceramic shaving cup and the straight razor beside it, shattering loudly as it struck the floor.

Down the hall the sleeping couple sat bolt upright. They listened, hearing the sounds of movement from their bathroom. Andy Tanner crept out of bed, moved to his closet and loaded his shotgun with salt shot. He waved for his wife to remain in the room. She shook her head mouthing the word “No”. Together, hearts racing, they crept down the hall.

They halted, hearing water filling the sink. Holding the weapon steady Andy cried out. “Al’rite now, ye come outta there this instant. This here’s private property. No funny business now, I’ve got a gun.”

Slowly the door opened. In the lit doorway was a girl, soaking wet in a filthy sundress. Her white hair matted, her pale skin splattered with mud like some crazed feral thing. Then she smiled, her ice blue eyes shone with mirth. “Yer not gunna shoot me, are ye Andy? Beside, it’s just rock salt. It won’t really hurt me, just sting like the dickens.”

The shotgun instantly lowered, the pair relaxed for a moment, but only for a moment.

“Damn it Gerdy, I couldda shot ya! What the hell are you doin?” Andy asked.

Wednesday, 5 May 2010

Cthulhu's Dark Cults: "Requiem for the Burning God" by Shane Jiraiya Cummings

The longest story in Cthulhu’s Dark Cults was penned by Shane Jiraiya Cummings, a novella of 18,000 words which involves a sinister global corporation that featured in the Call of Cthulhu gaming supplements Day of the Beast, At Your Door and Unseen Masters. Shane’s tale, “Requiem for the Burning God”, like “Devil’s Diamonds” by Cody Goodfellow and my “Sisters of the Sand”, is a tale written in pulp adventure style with lots of action, suspense and intrigue. I put all three stories last, as the energy and pace picks up in these tales compared to the more subtle and personal horror of earlier tales. I also did this because the later tales are more in line with the Call of Cthulhu role-playing game’s Pulp Cthulhu style adventuring, if that supplement is ever released.

Shane Jiraiya Cummings is one of the most active members of Australia’s horror writing communities, and in the small press, one of our countries more successful writers with more than sixty short stories published in Australia, the United States, and Europe. He is the Vice President of the Australian Horror Writers Association and an active member of the US Horror Writers Association. Shane has won the Ditmar Award twice, and has been nominated for over twenty other awards. Recently moving into longer works, Shane's recent books include Shards (Brimstone Press) and Phoenix and the Darkness of Wolves (Damnation Books). He is currently working on a Japanese fantasy series and other novels.

Shane said this about his story, “As a Lovecraft fan, I've always wanted to write a Mythos-inspired story, and when David Conyers invited me to contribute to Cthulhu’s Dark Cults, my dream was realised. I wasn’t very familiar with the Call of Cthulhu game, but David gave me the scenario and – Peru, early 1930s – and the rest of the story leapt onto the page. “Requiem for the Burning God” soon became an epic that incorporated my fascination for biplanes, zeppelins, and the corpses of mysterious gods.”

An extract from his story follows:


REQUIEM FOR THE BURNING GOD
Shane Jiraiya Cummings


Callao, Peru, 1932
Part I

A week at sea was one thing; a Pacific storm adding a day to the voyage and wobbling Max’s sea legs was something else altogether. Used to the constant downpour, the gloom, and the isolation for seven very long days, he was caught off guard by the glare of the dawn sun and the noise as he disembarked the gangplank onto the Callao docks.

A man with ferret features pushed through a knot of wiry, brown-skinned dock workers. “You Calder?”

“Who’s asking?”

“The name’s Neville.” He extended a hand, which Max shook with the curtness of a professional. “C’mon. The others are in the truck.” Neville thumbed at an open-backed truck parked on the dock. The paint job looked fresh, with a prominent New World Incorporated logo emblazoned in red on the door.

The four men sitting in the back, all white, wore uniforms that matched the newness of the truck. Three clutched rifles. The Peruvian dock workers circled wide of the truck. For their part, the NWI men watched everyone with suspicion.

“Those are German rifles, right? Mauser carbines?” Calder asked.

“Very good, Mr. Calder.” Neville stroked his chin. “You know your guns.”

“That’s what I told your man in San Francisco. That’s why I’m here, I guess.”

“Yes, yes. Tell me, Mr. Calder, are you a Max or a Maximillian?”

“I’m a Maximillian but Max will do.”

“Very well then, Max. I can’t place your accent. South African?”

“Displaced British, actually.”

“Displaced?”

“Yeah.” Calder kept his eyes ahead, studying the NWI recruits who in turn studied him as he approached.

Neville waved a hand at the truck. “Up you go, Mr. Calder. Make yourself as comfortable as possible. The trip to the mountains is long and bumpy to say the least.”

As Max tossed his backpack up into the truck, Neville opened the passenger door and stepped up. “A word of advice, Mr. Calder.” Neville paused on the threshold of the cabin. “Keep your eyes open for trouble. President Cerro’s government may welcome New World Incorporated but some of the locals are less enthusiastic about our presence. These are difficult times and you know why you’re here.” As if to emphasize the point, Neville pivoted to reveal the handle of a Colt .45 auto jutting from his belt.