Saturday, 24 March 2012

2012 Ditmar Awards

It is award season again, and the Aurealis Awards finalists announced and the Australian Shadows not far behind. Ditmar's too, the Australian speculative fiction most popular awards a ramping up, with anyone 'active' in the industry able to vote, regardless of whether you are from this country or not.

If you want to vote for me, great, and here is how. I'm eligible in the following categories and I've noted which stories I think have been my favorites and from what I can accertain the most popular of my work for this year:
  • Best Novella or Novellette, "The Eye of Infinity", Perilous Press
  • Best Short Story, "The Advertising Imperative", Ticon4 (read the story here)
  • Best Collected Work, Midnight Echo 6, ed. David Conyers, David Kernot and Jason Fischer.
  • Best Fan Writer, Interview with Charles Stross, Midnight Echo 6
  • Best Fan Artist, Cover, Jupiter 33. (image included above)
To vote simply go to this form and fill it in. If I'm known to you, please use me as a referee for eligibility, espeically if you are not Australian. If you want to vote for more than just me, and there are plenty of good outpourings this year, go to the full list here.
If you do vote for me to win a Ditmar, thank you very much.

Entries close Friday 13 April 2012, or Thursdayt 12 April 2012 if you live anywhere between Europe and the Americas.

Monday, 19 March 2012

Prometheus

Prometheus, it's Ridley Scott doing science fiction, so I'm excited about this movie. There aren't many good sci-fi films, the last one was Inception. Hopefully this one is just as good, but going by the trailer, and Scott's classic sci-fi movies Alien and Bladerunner, this one has lots of promise:

Tuesday, 21 February 2012

Undead & Unbound Cover Art by Paul Mudie

Here is the cover art for the anthology Undead & Unbound by the very talented UK artist Paul Mudie.
   

The anthology, edited by Brian M. Sammons and myself shall be released by Chaosium Inc. later this year. The illustration features elements from the included stories "I Am Legion", "Thunder in Old Kilpatrick", "Descanse En Paz", "Mother Blood" and "In the House of a Million Years".

Monday, 20 February 2012

Eldritch Chrome featuring "Playgrounds of Angolaland"

Every now and then editors come up with fantastic ideas for anthologies that resonate with the tones of ‘why hasn’t someone done this before’, so when Brian M Sammons and Glynn Barrass came up with the idea for a cross-genre of Cyberpunk and Cthulhu Mythos stories, Eldritch Chrome, I had to submit something. Thankfully my story, “Playgrounds of Angolaland” was accepted. Set in Antarctica, my tale involves a cyberteam out to scam a corporation that has made one too many unwholesome deals with elder alien beings. Oh, and it is kind of a Harrison Peel tale.
Here is the table of contents, in no particular order:
 
Eldritch Chrome
  • “Playgrounds of Angolaland” by David Conyers
  • “The Blowfly Manifesto” by Tim Curran
  • “SymbiOS” by William Meikle
  • “Obsolete, Absolute” by Robert M. Price
  • “Open Minded” by Jeffrey Thomas
  • “The Battle of Arkham” by Peter Rawlik
  • “The Wurms in the Grid” by Nickolas Cook
  • “Of Fractals, Fantomes, Frederic and Filrodj” by John Shirley
  • “The Gauntlet” by Glynn Barrass and Brian M. Sammons
  • “Indifference” by CJ Henderson
  • “Dreams of Death” by Lois Gresh
  • “Inlibration” by Michael Tice
  • “Immune” by Terrie Leigh Relf
  • “Hope Abandoned” by Tom Lynch
  • “Sonar City” by Sam Stone
  • “The Place that Cannot Be” by D.L. Snell
  • “Flesh and Scales” by Ran Cartwright
  • “Real Gone” by David Dunwoody
  • “CL3ANS3” by Carrie Cuinn
To be published by Chaosium some time in 2012. More details as they occur.

Thursday, 9 February 2012

"Expectant Green" with John Kenny in Jupiter 35

"Expectant Green", my first collaboration with Irish speculative fiction author and editor, John Kenny, is now available in Jupiter 35, edited by Ian Redman with a terrific cover from Sam Mardon. My first publication for 2012 and its my favorite genre, space opera, and out in print and epub formats. An extract follows:



EXPECTANT GREEN

David Conyers and John Kenny

One hundred days disappeared in a single second while I was dead, or as near dead as you could get without crossing over to that unknown country.
I was in cryosuspension along with twelve-hundred other passengers, encased in the hull of a wormhole transgressor bound for Morrocoy in the Sagan-89 System. Morrocoy was the last place in the galaxy I wanted to be, but I didn’t have a choice in the matter.
  
With that curious sense of dislocation engendered by cryosleep, I opened my eyes and felt, despite an unchanged view of diamond glass and life support readouts, that I was somewhere else.
A familiar face approached; all smiles and warmth.  “Mum!” I cried before I crawled into her arms, held her tight and sobbed.
  
Another woman spoke to me. Her tone sounded cautious. “I’m sorry Ms. Leyton, but I think you’ve mistaken me for someone else.” When I didn’t move, afraid to, the stranger said:  “I’m Nereda Courtemanche, your CS recovery nurse.”
  
I looked up, saw that the woman who held me was no more than a few years my senior. She had a pretty face like my mother, but with freckles and red instead of dark hair worn in a ponytail.
  
“Oh, I am so sorry.”
  
I quickly clambered from of her arms. I couldn’t look at her. I felt like I was about to die.
  
“This is so embarrassing. I’m so sorry.”
  
I tried to run, but tripped on wobbly legs.
  
The nurse caught me. “That’s okay, Francesca.” She supported me gently, sat me down. “Just give yourself a minute. Waking from CS is disorientating for anyone. I felt the same three days ago when I woke.”
   
I glimpsed at Nereda through the corner of my eye. At least I had not imagined her smile, which still beamed for me.
   
“Let me find where your mother is, and I’ll reunite you.”
  
“She’s not here,” I blurted.
  
“Oh. Sorry to hear that.” Nereda clasped her hands together tightly. “You must really miss her?”
I didn’t respond. I should have said something to make her feel better, even if I couldn’t feel that way myself.
  
She scratched the back of her head, her eyes wandered, searched for something other than me to focus on. “Well, you’ve arrived Francesca Leyton. Morrocoy is where you leave us, right?”
  
I nodded.
  
“Is someone waiting to meet you?”
   
“I hope...yes, someone will...meet me.”
   
“Well that’s good. Good luck down there.”
   
Nereda gave me three cups of water, helped me to dress, then left me with one of the ship AI’s extensor bots which made me perform a regime of stretching exercises. By the time I was done I no longer felt disorientated and was ready to tell Nereda the real reason why my mother wasn’t with me, but she was long gone.
  
With remarkable swiftness, given that the transgressor had travelled so many light years across the galaxy for so long, I was processed through customs and security where, despite my protests all my tech items where confiscated from my luggage, and shuttled to the planet’s only spaceport. No one else smiled at me, and all I could feel as the blue-green planet grew large through the view portals was empty and cold.
  
An hour later I was blinking in the bright sunlight, standing in the hot, dusty street watching a motley crew of locals shamble along, dragging pack animals behind them.
   
I thought about what I had wanted to say to the Nereda, but I couldn’t quiet believe what had happened myself. Only three weeks ago subjective time I had been standing over the destroyed body of my mother. The distance I had travelled and the stark contrasts between Mars and this alien planet conspired to place the death of my mother at a remove that seemed almost a lifetime ago. And yet the loss of her was so recent that the reality of her absence had not sunk in; I felt nothing, couldn’t feel anything. Being thrust into this new and foreign environment promised only to extend the duration of my numbness.
   
Sweeping my shoulder length hair back and into a scrunchy, I fished a beaked cap from my travel bag to shade my eyes. Now I could better see the dilapidated sun-scorched wooden buildings that lined the unpaved street that stretched east and west for a couple of hundred metres before meeting walls of dense jungle foliage. Along this stretch a number of streets branched off to the north towards the main part of the town.
   
No sign of my father. Wearily, I unfolded the piece of paper handed to me by the porter as I had exited the building behind me. Oh, great. It gave the name of the hotel where I could find my one surviving parent and directions on how to get there. Heaving a sigh of tiredness and frustration, I hitched my travel bag on my shoulder and marched towards the first turnoff heading north.
   
If I’d told Nereda what had really happened to my mother I would have cried for a very long time. I couldn’t help wondering if I would have felt better now if I had.

Tuesday, 31 January 2012

Coming Soon: Undead & Unbound

A new anthology edited by Brian M. Sammons and myself, hopefully out later this year. Here is the (unofficial) blurb and author list:

Undead & Unbound
 
Undead: from ancient mummies to shrunken heads and floating vampire heads, from medieval warrior wights to conquistador skeletons and resurrected faeries, the undead haunt in many and unexpected guises.

Unbound: from the jungles of South America to the gold fields of the Wild West, in occupied Europe and along the banks of the Nile, to the ice fields of the North Pole and the wastelands of Mars, nowhere is safe from undead infestation.

Undead & Unbound: A collection of nineteen new horror stories by twenty leading horror authors from across the globe.
  • “Blind Item” by Cody Goodfellow
  • “Dead Baby Keychain Blues” by Gary McMahon
  • “A Personal Apocalypse” by Mercedes M. Yardley
  • “The Unexpected” by Mark Allan Gunnells
  • “Incarnate” by David Dunwoody
  • “Marionettes” by Robert Neilson
  • “Undead Night of the Undeadest Undead” by C.J. Henderson
  • “I Am Legion” by Robert M. Price
  • “When Dark Things Sleep” by Damien Walters Grintalis
  • “Descanse En Paz” by William Meikle
  • “Thunder in Old Kilpatrick” by Gustavo Bondoni
  • “Phallus Incarnate” by Glynn Owen Barrass
  • “Wreckers” by Tom Lynch
  • “Scavenger” by Oscar Rios
  • “In the House of Millions of Years” by John Goodrich
  • “Romero 2.0” by Brian M. Sammons and David Conyers
  • “Mother Blood” by Scott David Aniolowski
  • “The Unforgiving Court” by David Schembri
  • “North of the Arctic Circle” by Peter Rawlik
Published by Chaosium.

Midnight Echo 6 interviews: Mark Farrugia

Midnight Echo 6, the Science Fiction Horror special is well and truly out, in electronic and print versions. For the last interview it seems appropriate we speak with the last author in the collection, Mark Farrugia and his end of the world story “Seeds”.

READER WARNING: STRONG LANGUAGE AND SEXUAL CONTENT FOLLOW.

1. What is your favourite Sci-fi horror novel or short story and why?

Darwinia by Robert Charles Wilson is my favourite SF-horror novel. I’ve always been fascinated by the concepts of fractured realities and merging planes of existence. Combine those with a computer simulation designed to preserve intergalactic consciousness, which has been infected by a virus, and I am hooked.



As for SF-horror short stories there are lots of classics that spring to mind. We Can Remember It for You Wholesale by Philip K. Dick and To Serve Man by Damon Knight were SF-horror I enjoyed years ago. More recently I have enjoyed Jason Fischer’s Jesusman series, Stroboscopic by Alastair Reynolds, A Hundredth Name by Christopher Green and The Laughing Girl of Bora Fanong by John Dixon and Adam Browne.

2. Tell us about your story and what your influences are?

“Seeds” is set in a dystopian version of Melbourne, which has reverted to a regressive theocracy. It’s a brutal world and I am sure it won’t appeal to everyone.  

Influences? The idea for “Seeds”  was inspired by the work of New Zealand born, Melbourne writer Paul Haines. For a long time I couldn’t get Paul’s story “Wives” out of my mind, especially the voice of the main character Jimbo. As an aside, I was also working in State politics at the time I wrote “Seeds”, perhaps that influenced my perspective too.

On a subconscious level at least, “Seeds” was also influenced by other dystopian fiction I’ve read over the years. V for Vendetta and Watchmen (Alan Moore), On The Far Side Of The Cadillac Desert With The Dead Folks (Joe R Lansdale), 1984 (George Orwell), Undead Camels Ate My Flesh (Jason Fischer), Y – The Last Man (Brain Vaughan), Frank Miller (Sin City, The Dark Knight Returns) and Philip K Dick (too many stories to list) have all influenced me somewhat with the unique worlds they’ve created.

3. Tell us something about yourself as a writer that isn't common knowledge?

I’ve written a sequel to “Seeds”. It’s called “The March of the Amputee”.

Seeds
Mark Farrugia

I think his name is Martin but the *doof-doof* beat from the bar outside is too loud for me to be certain exactly what he said. Shirt open and leaning against the basin, his body is doused in sweat. Like rotting wood in an overgrown paddock, a crucifix lies partially hidden amongst the grey hairs on his chest. It trembles with each beat of his heart, but I know this man doesn’t believe in God. Not really; if he did he wouldn’t be here with me. Inside the churches and cathedrals we are forced to pay homage on our knees, but out here in the real world there are other ways to pay tribute, other sacrifices to make.

It’s over. I rub my throat. I should get up but my legs are still numb from kneeling against the cold tiled floor.

Skin like ash, the sombre lines that scar Martin’s face are visible through short stubble. He lights a cigarette and exhales rings of smoke. I used to be able to do that. Now it just makes my eyes water, distorting my vision. For a moment, in the full-length mirror behind Martin, the image of me merges with him and he looks down at me like a perverted reflection.

Shit. My head knocks against the washbasin. Yellow-brown stains and a swab of squashed gum cling to the porcelain. On top of the basin a fold of $100 bills, weighed down by a lump of dirty soap, waits for me. The money is mine. I’ve fucking earned it.

As Martin zips up, I stand. The taste of latex is strong but I know it’s better than the mouthful trapped inside the flaccid rubber. Using the sheath and receiving five hundred instead of four were the only concessions I could gain. My minor victories, I suspect, are the little sacrifices Martin makes to keep his conscious clear. Perhaps the crucifix weighs heavier than I thought. Religion; it’s all about sacrifice, isn’t it?

Did a man called Jesus really die for me? Is that even possible? I suspect he just died and the rest is bullshit. Martin drapes his shirt over the crucifix, concealing it as he does up the buttons. The God symbol is gone. He puffs more smoke and the end of the cigarette edges towards his fingers.
The Righteous say humanity is going to Hell. It’s been almost 75 years since the last female was born. The few alive are all too old to give birth—cunts as dry as the Simpson Desert—but they were harvested for their eggs when they were younger. The Harvest was a blessing, but the supply of eggs will soon be exhausted. The Righteous say the X-Zone Virus is God’s way of forcing man to repent. Repent for what? Guys like Martin and I, we said fuck it and took a different path.

Biography – Mark Farrugia

Mark Farrugia’s writing credits include the blood n’guts dragon fantasy A Bag Full of Arrows, which received an honorable mention from Ellen Datlow for 2010, and the vampire comic series Allure of the Ancients (illustrated by Greg Chapman). His fiction has appeared in Andromeda Spaceways Inflight Magazine (ASIM) 48, Midnight Echo 3, 5 and now 6, Borderlands 11, Eclecticism 12 and AntiopdeanSF. BestScienceFictionStories.com declared Mark’s flash fiction amongst its favorites of 2009 and 2010.  Mark edited ASIM46 and co-edited ASIM Best of Horror Volume 2. Mark is the AHWA’s Critique Group Manager.